Marvel Cinematic Universe: Marvel's The Avengers (Retrospective)

Marvel's The Avengers (2012)

After four years and five films of teases and buildup, The Avengers landed with no small amount of fanfare and unusually positive reviews. The experiment to fold a group of individually popular superheroes together into a single, cohesive story paid off in spades, and it's easy to see why. Almost ten years since it first released, The Avengers remains a well-crafted, engaging, and funny action-adventure spectacle.

When Thor villain Loki (Tom Hiddleston) returns at the behest of a mysterious new master, he arrives on Earth as a harbinger of worse things to come. Meant to pave the way for a coming alien invasion, he wastes little time in decimating S.H.I.E.L.D., placing Clint Barton (Jeremy Renner) and Erik Selvig (Stellan Skarsgård, returning from Thor) under some kind of mind control, prompting Nick Fury (Samuel L. Jackson) to finally call in the team he's been building. While Natasha Romanoff (Scarlett Johansson) retrieves Dr. Bruce Banner (portrayed here by Mark Ruffalo, replacing Edward Norton), Phil Coulson (Clark Gregg) approaches Tony Stark (Robert Downey Jr.) and Fury himself ropes in Steve Rogers (Chris Evans). The team comes together to capture Loki, and it isn't long before Thor (Chris Hemsworth) joins the party to round out the cast.

For being such a big, bombastic movie, the plot is relatively straightforward and relies on the tried-and-true "the villain secretly wants to be captured" twist that became so popular in the wake of the The Dark Knight (2008). It's not a hard twist to see coming, which is probably why the film smartly telegraphs this early on. Rather than muddle through an overly complicated plot in a film that is, by nature, stuffed full of characters, The Avengers wisely focuses on those characters and their relationships. This is where all the magic occurs. It's a thrill watching Iron Man butt heads with Captain America, and good fun to see the mighty Thor come to blows with the incredible Hulk. The vast majority of the film is spent letting the team work out the kinks in their internal structure, which is why the finale is such a rousing payoff. When the Avengers finally come together behind Captain America and begin to function like a well-oiled machine, we get the sense that this dream team is unstoppable.

It's hard to fault the film for not taking itself too seriously, because that's never been the point. These films know exactly what they are and what they want to be, and are content to play within the confines of the comic book genre. Perhaps this is the most refreshing approach to the source material, because watching The Avengers feels very much like reading one of the comic books from which these characters and stories are adapted. Just like comic books are not high literature, The Avengers doesn't set out to be the Citizen Kane of the modern era. Because of this, the film comes across as having an unusual amount of confidence in both its characters and execution. I suspect this has a lot to do with the fact that the characters had already been established in the films leading up to this one, and because each of the actors were already comfortable in their respective roles, allowing for a kind of freedom and playfulness not commonly seen in these kinds of big summer blockbusters.

The Avengers is certainly not a perfect film. The final sequence rolls on for a few minutes too long, and the characters (except for Banner) all pretty much reach peak development by the end of the second act. Taken on its own, separate from the continuity of the established MCU, The Avengers has all the depth and nuance of an airbrush painting. It's pretty to look at, but there's not much there by way of substance. Black Widow carries the weight of the most important conversations, the first with Banner, the second with Barton after he's been freed from Loki's mind control. The rest is all sound and color. But, the film isn't exactly meant to be taken on its own. No, it's firmly planted within a specific context, and sort of expects viewers to already be familiar with its characters. If you're looking for character development, this film probably isn't going to satisfy. But if you're just looking to see all of these iconic characters come together in an all-out blockbuster of a flick, then The Avengers is for you.

Marvel and its collaborators struck gold with this film. The cinematic universe only expands after this landmark movie, eventually blossoming into a full-blown cultural phenomenon the likes of which hasn't been seen since the release of the original Star Wars trilogy. Regardless of the numerous movies and sequels that will go on to populate the MCU, none of them will really recapture the magic of The Avengers, when these heroes all assembled on the big screen for the first time.

Marvel Cinematic Universe: Captain America: The First Avenger (Retrospective)

After a plethora of dark knights, tortured heroes, and spoiled brats learning to go straight, viewing a film as good-natured as Marvel's Captain America: The First Avenger comes as a breath of fresh air in a genre threatened with staleness. Having met Tony, Bruce, and Thor, we are finally introduced to Captain America—the star-spangled man with a plan. Functioning as the Marvel analogue to DC's Superman, he fights for truth, justice, and, quite literally, the American way.

Marvel's Captain America: The First Avenger

The framework story follows the exploits of S.H.I.E.L.D., the shadowy organization led by Nick Fury (Samuel L. Jackson), as they seek to recover the long-lost Captain America for reasons unknown. The narrative proper begins when the film catapults us back to an alternate version of World War II. Here we meet Steve Rogers (Chris Evans), a scrawny young man who is a patriot at heart and wants nothing more than to join the Allied fight against the Axis powers. But, despite numerous attempts, a plethora of health conditions have prevented him from enlisting. When his best friend, James "Bucky" Barnes (Sebastian Stan), prepares to ship out, he has a conversation with Rogers that's overheard by Abraham Erskine (Stanley Tucci). Erskine is immediately taken with Rogers's heart and determination, and schemes to have the young man enlisted in a special program headed up by Colonel Chester Phillips (Tommy Lee Jones), your typical military curmudgeon, and overseen by Peggy Carter (Hayley Atwell), a spitfire of a British officer.

Seemingly against all odds, Rogers is chosen from the program's candidates to undergo a unique super-soldier experiment. In one of the film's best moments, Erskine explains to Rogers why he's been chosen. It has nothing to do with his physical capabilities, but because of his character and heart. Unlike Tony, Bruce, and Thor, Steve is already formed and well-adjusted. He's a true hero, through and through, brave and courageous despite what's stacked against him. So, Rogers undergoes the experiment, and emerges the perfect specimen of a human soldier, but he's got a moral compass already honed to a fine point. Of course, government suits try to get involved and Phillips tries to keep him off the front lines, but eventually he proves himself the hero we all know him to be when he liberates nearly 400 prisoners of war.

His adventures bring him into conflict with Johann Schmidt (Hugo Weaving), a confidante of Hitler's and leader of the terrorist organization known as HYDRA, as well as someone who takes Nazi occultism to extremes. He tampers with forbidden sciences all in the name of world domination, with hopes of eventually toppling Hitler himself. He's a kind of perfect antithesis for Captain America, having undergone a similar super-soldier experiment, only to turn inward. He's malformed and selfish, and Weaving portrays him with all the mustache-twirling glee one would expect from this kind of larger-than-life villain.

The side-characters we meet along the way are all likable, probably because the cast is rounded out by wonderful character actors like Neal McDonough as the husky "Dum Dum" Dugan. We also get a nice bit of connective tissue in the form of Dominic Cooper, who portrays the brilliant Howard Stark, who will eventually father Tony. And the whole thing ends on a surprisingly bittersweet note, as Captain America wakes up in the present day and meets Nick Fury, bringing the whole thing full circle.

Captain America: The First Avenger really is a fun film with a lot of heart. It doesn't have the quips and wisecracks or offbeat humor of Iron Man or Thor, nor does it put front and center a protagonist wrestling through personal conflicts, like The Incredible Hulk. Instead, what we have here is a film that works from a much older template, the kind of big, blockbuster action-adventure war movie that Hollywood used to revel in. If, in watching the previous MCU films, we learn to admit when we're wrong and how to grow, Captain America gives us a hero that we can look up to, an ideal to which we can aspire. Now that we've met Steve Rogers, the Avengers have found their leader. And all that's left for them to do is assemble.